Joel and Laura’s First Week Printing their Book on the Audubon Bien Edition in Verona, Italy

March 24th, 2013 § 0 comments § permalink

Monday- Tuesday 3-18/19-13 

We have arrived in Verona to finally print the Bien book. It is hard to believe that after all of the preparation we will be seeing ink on paper in less than 24 hours. We start early Wednesday morning at Elcograph a very large printing facility about 12 minutes from our hotel. The hotel was built in 800 AD. Above our bed is a sign that says Caesar slept here. (just kidding).

Laura and Joel Oppenheimer arrive in Verona.

Laura and Joel Oppenheimer arrive in Verona.

Wednesday 3/20/13

We are finally on press. The printer is world class having produced many fine art books for Norton and other major publishers as well as the Metropolitan Museum of Art and many other museums. So our book will be in good company. Still, everybody is excited about the project because of the scale of the book. This will be the largest book of Audubon prints produced since the original Bien Edition was published in 1858. The first sheet has been approved and the presses are turning.

Joel Proofing the imagery for his new book

Joel proofing the imagery for his new book

Staff at Elcograph

Friday 3/22/13 

After two and a half days of printing (10-12 hour days) we have finished 12 sheets. That’s one third of the book. In the picture you can see Laura, Alessandro and Roberto holding one of the printed sheets. I will replace the photo next week with one in better focus. The paper is double-double elephant folio; twice the size of the original Bien book. Each sheet has eight pages printed on it. Once it is folded and stitched, the finished book will be 1/4 double elephant size. In the nineteenth century this would have been called “folio”.

Pages of the book hot off the press!

Pages of the book hot off the press!

New Collection: James Bateman’s “A Monograph of Odontoglossum”

January 11th, 2013 § 0 comments § permalink

James Bateman (1811-1897), was one of the early developers of orchid culture. He sponsored expeditions to Mexico and South America enabling collectors to gather rare specimens. He published three lavish books about orchids. The Orchidacea of Mexico and Guatemala, 1837– 1843, A Second Century of Orchidaceous Plants, and A Monograph of Odontoglossum, 1864– 1874. Bateman pioneered “cool orchid cultivation” which enabled the Odotoglossum to be cultivated in England, replicating the cool arid climate of the cloud forests in Central America where these exotic flowers are found. Walter Hood Fitch, (1817 – 1892) the most prolific botanical artist of all time, was employed by Bateman to create the paintings for his magnificent orchid books. Fitch also rendered the images on the lithographic stones and his name or initials are found on every hand-colored plate.
Exceedingly rare, A Monograph of Odontoglossum is comprised of thirty large scale hand-colored lithographs. The plates offered here are all excellent examples the condition is perfect, the hand-coloring perfectly preserved in its original state.

If you are interested in more information about these beautiful prints, please call the gallery at 312-642-5300 or e-mail us at joppen@audubonart.com

Inquiries are received with pleasure.

Opening Night at Audubon Greenwich

December 7th, 2012 § 2 comments § permalink

Saturday, December 1st marked the official opening of our new Oppenheimer Gallery at Audubon Greenwich.  Located in Audubon Greenwich’s recently renovated Kiernan Hall, the new Oppenheimer Gallery aims to bring 4 new shows a year with new natural history related themes, artwork, and events.  Visitors on December 1st were treated to an unprecedented exhibition comparing all renditions of Audubon’s artwork created between 1820 and 1861 including prints of Audubon’s original watercolors, the Havell engravings made from the watercolors, the Bien chromolithographs, as well as the smaller octavo editions.  A presentation by Joel Oppenheimer and Tom Baptist, Executive Director of Audubon Connecticut, illustrated the connection of all of Audubon’s artwork to the current incarnation of the Audubon Society, while gallery director, John Telling, made presentations from a bound book of Audubon’s 50 Best Watercolors.  

Please contact gallery director, John Telling at jtelling3@gmail.com or Audubon Greenwich Events & Communications Manager, Jeff Cordulack at 203-869-5272 x239 if you have any interest in purchasing prints or if you would like to schedule a private viewing of the material.  All inquiries are received with pleasure.

 

Joel Oppenheimer Hosts Royal Botanic Gardens at Kew : The Breathing Planet Event.

November 10th, 2012 § 0 comments § permalink

This past Thursday evening, Joel Oppenheimer, Inc. had the unique privilege of hosting the Chicago event for The  Breathing Planet Campaign for the Royal Botanic Gardens at Kew.  Participants were treated to a 3D movie featuring various forms of plant life on the Garden’s grounds and various structures.  Utilizing the latest 3D technology, time-lapse photography, and macro-photography the film achieved fascinating visions of plant life.  Afterwards, a reception was held at the Joel Oppenheimer Gallery.

Kew’s Breathing Planet Programme is a global initiative to support and sustain the wide variety of plant life on the earth. For more information, please direct your browser to:

 http://www.kew.org/support-kew/breathing-planet-campaign/ 

 

 

Joel Oppenheimer, Inc., The Audubon Center Greenwich to Open Gallery, Announce Conservation Partnership

November 6th, 2012 § 0 comments § permalink

The Oppenheimer Gallery at Audubon Greenwich Opens with Premier Exhibition “Exploring Audubon’s Art”

Chicago, Illinois, Date, 2012 – Joel Oppenheimer, Inc. (www.audubonart.com) the venerable natural history art gallery with locations in Chicago and Charleston known for the works of the iconic John James Audubon and many other renowned natural history artists is announcing the opening of the Oppenheimer Gallery at Audubon Greenwich.The Audubon Center of Greenwich, the National Audubon Society’s first nature education center, has a storied history of protecting birds and their habitats and engaging people in conservation, and will partner with the new gallery to create exhibits that directly link the works of art with its bird conservation efforts. The Oppenheimer Gallery at Audubon Greenwich opens Saturday, December 1.

The gallery will reside in the newly renovated Kiernan Hall and will feature four exhibits a year. The first exhibition will explore all the editions of Audubon’s work in the Nineteenth Century, showing comparative examples of nine prints in the different versions, which are the Havell, Bien, Octavo and watercolor editions. The subjects to be featured in the exhibit are the Osprey, the Great Blue Heron, the Carolina Parrot, the Gyr Falcon, the Great Egret, the Passenger Pigeon, the Louisiana Heron, the Ruby Throated Hummingbird and the Dusky Duck.

Joel Oppenheimer, president of his namesake gallery, author, and one of the foremost Audubon experts in the world, sees this collaboration as an opportunity to educate and bring Audubon’s rich history to life, “John James Audubon is considered to be perhaps the greatest natural history artist of all time. His body of work in ornithological art is iconic. Collectors and admirers of his works continue to be enthralled with his accomplishments and how he shaped the genre of natural history art. Audubon brought images of birds and mammals to life during his time of exploration and we want his work to continue to inspire current and future generations. We are grateful to have this opportunity to collaborate with The Audubon Center of Greenwich both in its conservation efforts and in telling Audubon’s story,” said Oppenheimer.

“We are excited to work with Joel Oppenheimer to introduce our members and visitors to the works of John James Audubon, our namesake and inspiration,” explained Karen Dixon, Director of the Greenwich Center. “It is our hope that these ornithological masterpieces will likewise inspire and engage people in the conservation of birds and their habitats.”

At the December 1st grand opening reception, Joel Oppenheimer will talk about the significance of Audubon’s contribution to art and conservation. His remarks will begin at 7:00 p.m. Private showings of the exhibit can be scheduled from 1:00 – 4:00 by appointment. All prints in the exhibition can be purchased either framed, or without. Thirty percent of the proceeds from sales will be donated on an ongoing basis to The Audubon Center of Greenwich.

Established in 1969, the fine art galleries of Joel Oppenheimer, Inc. in Chicago and Charleston offer a stunning array of natural history art from the seventeenth to nineteenth centuries, as well as fine art framing, and complete conservation and restoration services.  As a natural history art gallery, Joel Oppenheimer, Inc. is dedicated to the connoisseurship of collecting and preserving the art of natural history and celebrating the contributions of the explorers who recorded the flora and fauna of the past three centuries.  Joel Oppenheimer, Inc. strives to provide collectors with an unsurpassed selection of the finest examples of prints and paintings from the golden age of natural history art including rare works by John James Audubon, Pierre-Joseph Redouté, Dr. Robert Thornton, John Gould, Basilius Besler, and many others.

Oppenheimer Art Recovery Restores Murals in Historic Cox Building

October 25th, 2012 § 0 comments § permalink

A landmark located in the center of the pioneer riverfront town of Maysville, Kentucky, the Cox Building was originally built in 1886 as a Masonic Lodge. In November, 2009, the building was engulfed by fire causing extensive damage to the entire structure.

An evaluation by Oppenheimer Art Recovery begun in December 2010 determined that the original murals painted on the walls on the third floor could not be saved and a year-long process to recreate them ensued. To accurately perform the work, extensive research was done into traditional Masonic symbols like the hourglass, beehive, and Maltese cross that were photographically documented as parts of the mural artwork in the Cox building. The elaborate Masonic motifs decorating the walls and ceiling of the Blue Lodge Room, which measures 40 feet by 50 feet, and The Asylum Room, measuring 40 feet by 73 feet were meticulously restored by Oppenheimer Art Recovery.

To the delight of all gathered, the Cox Building was officially re-dedicated on September 7, 2012 before a crowd of 500 people.

New Hand-Wrapped Linen Portfolios for your Audubon Octavo Collection

May 5th, 2012 § 0 comments § permalink

Joel Oppenheimer is pleased to present a new way of storing your Octavo prints. Our portfolio cases are constructed by hand out of archival materials and wrapped in luxurious Belgian linen. Please e-mail joppen@audubonart.com or call the gallery at (312)-642-5300. Ask about our special package pricing. Inquiries are received with pleasure.

Custom Linen Box for Audubon Octavo Prints

Keep your collection of Audubon Octavo Prints in one of our Archival Linen Portfolios

If you are out of wall space or simply building your collection of Audubon Octavo prints, our archival linen portfolios make an attractive and easily stored addition to your bookshelf.

Drop spine construction allows easy viewing, display, and storage of your prints

Follow us on facebook

April 26th, 2012 § 0 comments § permalink

Joel Oppenheimer, Inc. now has a facebook page. Please check the page frequently to read about updates to our gallery.

Click here to view the page and don’t forget to “like” us.

Joel Oppenheimer Gallery switches to LED lighting for the gallery, interviewed on NBC 5 Chicago

April 26th, 2012 § 0 comments § permalink

Joel Oppenheimer Gallery recently switched its lighting from traditional incandescent bulbs to state-of-the-art LED (Light Emitting Diode) bulbs.  The energy and cost savings has been tremendous and the lights have improved the appearance of our gallery.

 

Below is a brief spot on the Chicago NBC channel 5 news featuring our gallery.  Look for Joel Oppenheimer at 0:55.

Edward Lear’s Birds of Europe

February 15th, 2012 § 0 comments § permalink

Lear Invitation

Click here to view available prints.

Joel Oppenheimer, Inc.  is pleased to announce the exhibition of Edward Lear’s Birds, from John Gould’s Birds of Europe, a newly acquired collection of 67 remarkable antique prints.  Considered one of the greatest ornithological artists of his era, the multi-talented Edward Lear (born May 12, 1812) was a self taught naturalist and painter who later became famous for authoring books of nonsense poems and limericks.  Interest in his writings and musings carry on to this day with websites dedicated to his life and legacy.

At age 14, Lear began his career as an artist. Many major publishers of nineteenth century English ornithology and natural history employed the young artist for his exacting and masterly skill. Lear’s work is further distinguished because he was the first bird artist to draw from living examples, capturing not only the precise details of the birds he painted, but also the individual bird’s unique character traits.  Lear worked at the Zoological Society in London where he met John Gould, the most prolific naturalist publisher of the nineteenth century. Lear drew 67 plates and many of the foregrounds for Gould’s Birds of Europe (1832-1837). The plates Lear contributed are among the finest of that work.  The rare, beautifully hand-colored plates acquired by Oppenheimer were drawn and signed by Lear on the lithographic stones. The exhibition is open to the public and admission is free of charge.

In celebration of Lear’s 200th birthday, museums and learning institutions worldwide will be honoring his body of work including the prestigious British Museum in London, London’s Fine Art Society, and Harvard University. The Harvard exhibit, “The Natural History of Edward Lear,” is being curated by Robert McCracken Peck, Senior Fellow of the Academy of Natural Sciences of Philadelphia.

Click here to view Invitation full size

EXHIBITION DATES:
Chicago: March 22 – April 28, 2012
Joel Oppenheimer, Inc. • 312-642-5300
Charleston: May 25 – June 30, 2012
The Audubon Gallery • 843-853-1100

 

RECEPTION, THURSDAY, MARCH 22, 2012
5:30 TO 7:30 P.M.  RSVP by March 19th

312-642-5300 or joppen@audubonart.com